first of two new bassheavy techno-ish dub eps by mystica tribe. four tracks of excellent electronic dub with heavy techno and acid influences. although only his second release after his debut in 2011 with meditation stick the japanese mystica tribe already delivers a powerful trademark sound: loose, shuffling beats, layered with heavy basses, tribal percussion and trippy elements, like the dark acid tale on titletrack flowers and the classic melodica stabs on fractale and moon & stone. tokyo dub at its best.

coming off an outstanding 12 inch,, release on dixon avenue basement jams this mysterious artist returns w/an ep that ranges from slamming acid and bass heavy techno to a thick house jam with a dizzying jazz influence.

repress 2013 !! played by: efdemin, ame, acid pauli, willie graf, dave dk and many more...

ce returns with the next instalment of the world electronix series. this ep focuses on 4 moody acid lead electro tracks perfect for dark basements and warehouses. once again this ep will be strictly limited to one vinyl run with no repress! first up ce is proud to welcome the exaltics (bunker, solar one, creme, abstract forms) to label with a hard piercing track not for the feint hearted. next up ce label head sync 24 delivers a signature style hypnotic groove for dance floor. the flip side sees sync 24 and abstract forms label head deixis team up for there second release. this time tuning in an acidic kick drum heavy roller. finally the ep is rounded off by crc aka michael deikmann who is no stranger to ce as one half of electro duo morphology.

ambitus is ready to get vinyled. finally aconites latest production is now available on vinyl. the label mittel zum zweck comes up with the complete remix package - from hardfloor to michel laro via dominik schwarz. it is an explosive mixture between techno, acid and house.

for release number six we have invited gothenburgs very own jackmaster sankt goeran. a devoted record collector and dj extraordinaire. the a side, local legend, is a 10 minute long acid train with a jackin beat. the b side, wallenberg6, is a melodic, sun drenched jam with a tasteful disco vibe. a versatile ep thats pressed on a white marbled vinyl. artwork made by kid kroft.

the vulva string quartett is not a string quartet but hanno leichtmanns moniker for his house music project im so blase is the brand new imprint of berlin producers and long term colleagues hanno leichtmann and nicholas bussmann aka the vulva string quartett and nicholas desamory. the label is named after their favorite song by the red krayola: im so blase

micro-scene main mans deconstructed-dance endevor takes his diagonal dub, mood mixin wonk wizardry to someplace strange & sideways. a style-sampler, approaching acid, teasing techno, & jumbling jazz.

killer deep / acid house stomper

*its own course* is a double whammy! jay west and stee downes join forces to deliver a true club bomb with an acid touch. it combines a groovy bassline, impulsive drums and warm rhodes chords that simply reek of hit-potential. the track has a compelling build-up, storming towards an inevitable climax and is shimmed by stees distinctive voice. let yourself be guided by its flow.

transparent vinyl. part 2 of 2.this latest ep on enemy maybe the most psychedelic and hypnotic release the label has released thus far. psychedelic hypnotism may sound like a bad acid rant from the >summer of love,< but this 2 part vinyl ep will prove you otherwise. the first vinyl focuses on the more abstract side of the dance floor, leading off with rrose and donato. perfect for the beginning of the evening or the early morning. the second vinyl is the more club-oriented accompaniment courtesy of jesper dahlback and grindvik & zahn.

one more heavy hitter on credo, and this time we could even say two tracks that form an ep as strond as the so far most sold credo-release from 2007 - bullet in your heart. the name tells already some connection to australia and indeed the basic idea came up during alex tour down under in fall 2012 where he played three cities within three days and a total of 9h playtime for which he travelled 64h in total. sydney acid is the main track of the ep, no doubt and hard to describe. it is a pure, driven technotrack with a fierce, no blubby, but very powerful acid bassline aiming at riots on the dancefloor. melbourne dub tells exactly what the track is all about and by the way featuring the sound of the local traffic lights that made alex thinking about creating some tracks related to it.

solar one music is always on the search for new missions and now its time for a new series on this label called the crystal issue. focus will be more on acid / chicago / detroit / techno / house which also big influences for the label heads of som. all releases will presented on one sided colored vinyls. first release will be from mantra who also releases on imprints such as bunker, creme, abstract acid etc. this is simply dark acid house at its best. limited edition on orange, marbled, one single-sided vinyl no digital release!

with the crispy voices by anna patrini and yasmin gate, adriano canzian transforms the macho boy in pure acid techno 12inch sensuality. containing 4 tracks (black, gold, red and purple reworks), macho boy females reworked edition 2013 deflowers 51beats - at its first vinyl print.

vanguard sound proudly presents their new sub label anunnaki cartel! this debut release features four strong analogue chicago acid-house & house tracks by chris mitchell, amir alexander, joey anderson and chris and amir. limited copies and no repress

sweet sweet vocal chicago-house pureness by tevo howard featuring rick poppa howard on vocals, reminding of the early beautiful granville days. a highly emotional and intimate track which the label is honoured to release. labelboss paul du lac on remix duties delivers two stripped-to-the-bone jackin trax for devastating club abuse, one vocal version, one instrumental version.

12inch acid techno vinyl produced by rowland the bastard & the geezer, released on raw. label boss guy geezer mcaffer teams up with rowland the bastard on the latest raw release

located in eindhoven, the netherlands, ivo hartman has been producing and playing gigs using a variety of pseudonyms. presently, he is focusing on his own imprint ivo hartman music. this label will present his vision on todays (dub-) techno and acid. expect deep, obscure soundscapes and techno rhythms that seem endless. pressing on dark transparent, smokey marbled 10 inch vinyl.

acid-bass-line driven, atmospheric & stripped down dj tool by cheap and deep, remixed by brendon moeller.

nice price deal !!! the braindance ep marks a first outing on throne of blood for veteran philadelphia dance music weirdos pink skull

2013 is the debut album from justin velor, a vibrant technicolor collision of styles (you might call it a musical dr. frankenstein, he says) incorporating everything from vangelis-inspired synth drones and nocturnal acid house rhythms to tender folk melodies and psychedelic flourishes. >i wanted to make a fantastical soundscape with colourful dynamics and a soul,< he explains.

many missed the great 3rd romb release with the secret weapon of serge and mark du mosh, the b2 track by pawel kobak (psssst! we didnt tell you this!) the 4rth romb release also comes with a clear focus on the dancefloor and received strong support from guys like cos/mes, mark e, james priestley, disco dromo and others. romb again takes a stance for musical diversity, presenting a snapshot of the stockholm electronic music scene. great production, with tracks stretching from acid to more minimal house and techno, combining classic sounds with new ideas. get a copy while you can - only 200 copies pressed!

with only 3 releases save the black beauty has created such a buzz around the label that we can talk about a meteoric rise. filippo naughty moscatello delivered the goods and bow is is another veteran of the scene hitting the buttons on the 909. klas lindblad aka sasse give us treat, a detroit tingled old school cut in a glorious rob mello remix a freestyle man acid mix from sasse himself. raw, uncompromising and dancefloor friendly. the party is on.

the latest offering from the balearica imprint featuring more top quality sun-kissed gems. first up is derrick harriots *black skin blue eyed boys*, a fantastic reggae disco cover version of the equals classic originally released on the mega rare *acid rock* lp back in 1982. following this bomb is the funky party killer, david lampells *iranian groove*. the flip side features the exceptionally hard to come by 12 inch version of *praise jah* by trinidadian singer oluko imo that captivates with its predominant funk bassline and inventive keys. finally, we have amadeos hugely in-demand *memories*, a spacey balearic disco groover that has been popping up on many djs most wanted lists ever since it was one of the standouts of harveys brilliant *sarcastic disco mix*. wonderful stuff!

doldrums ist das psych-pop-projekt des 22 jaehrigen airick woodhead aus toronto. ein sound der zwischen zerhackten samples, geisterhaften vocals und percussions zu schweben scheint, alles zusammengehalten durch airicks stimme, der wohl androgynsten im alternative-electro universum.
pressung auf schwarzem vinyl, inklusive mp3-downloadcode.

billy nasty announces the re-launch of his tortured and electrix labels... a great re-start to this label – radio play and dj support already from: marcel fengler, richie hawtin, norman nodge, rolando, dvs1, colin dale, trevor rockcliffe, the black dog, speedy j, slam, samuel l. session, rob booth, marco bailey, james tec, dj deep, alan fitzpatrick, darko esser, kyle geiger, dj snoop, kr!z, angel molina, anderson noise, adam jay, dj hyperactive, dustin zahn, gary beck, mark archer, ritzi lee and many more...

sampler 2 kicks off with scbs dissipate, a gritty 4/4 number thats been driving dancefloors crazy with its seemingly constantly ascending intro. this is definitely one of scbs finest productions to date and hugely sought after by his followers. basic soul unit provides the aa side, hot off the back of his debut nonplus 12 he continues in the same vein with untoward. this is heads down techno of the finest quality and this time hes thrown some acid into the equation which bubbles and brews into a monster of a track.

just when you thought you knew what you were going to get from flashmob they switch it up completely, stamping their mark of quality and proving their versatility as producers they turn in an old school acid house stomp. dark, rumbling bass, spoken female vocal, and complimentary 303 acid squelches make both the garage mix and panorama mix equally at home in a field around the m25 circa 88 as it does on the floor at dc10 in 2013. watch out. acid house is back!

is he good - or is he wicked? - with this quote from alice in wonderland, clemens started his highly acclaimed fÖn records series in 1996. 2013 neufeld is back and taking raw acid techno to the next level. wicked is a bass heavy straight banger for the big floors, driven by haunting distorted off-beat percussion and naughty 303 bassline action.us-techno legend angel alanis, true master of disaster since his early works on woody mcbrides offshots, totally destroys it with a super ruff earthquake bass monster. nobody less then gez varely aka g-man, legendary half of the techno pioneers lfo from leeds, uk, provides another remix in his very own flavor - deep, dubby and hypnotic - a guaranteed floor filler. recorded in vienna(a), indianapolis(usa) and leeds (uk.

acid house legend justin robertson returns to the gomma label under his ‘the deadstock 33s moniker with a superb new single featuring remixes from ewan pearson & disco bloodbath..

this release announces a new addition to the yoruba family!

killer acid 4 track vinyl

eclectic avenue welcomes the inimitable lil mark, one of the true stalwarts of the uk house scene & regular contributor to some of the finest imprints worldwide. here mark expertly shows his unique knack for genre-straddling. kicking off with pulling strings more familiar lil mark territory, with his trademark tight-as-hell percussion & firing bass sat below a freaked-out twisting riff. seriously, this bad-boy takes no prisoners....other than the ones on the dancefloor.... on the flipside we are treated to memoirs, a beautifully sumptous lo-slung roller, utilising a vox refrain over the top of a glorious rolling bass groove. like being comforted by a welcoming acid-bass-hug, this is truly something special. nestled inbetween marks original cuts is e.a.r. main-man j.cub, who offers up an alternate interpretation of memoirsl. taking the vox refrain & weaving it throughout the track like an instrument, j.cub nudges the tempo up slightly & adds a solid percussive backdrop & a reworked bass groove, creating a cut which is deep enough to warm the crowd but packs a solid punch at the same time

massimiliano is back where he belongs. a backbone of live at robert johnson records, pagliaras take on neo-dance, post-disco and proto-house is as unmistakable as it is dreamlike. with this sound palette, a love for hardware and surgical arrangements > magic serials< sees the berlin-based producers on top of his game. while name checking the tools of his work (the serials, got it?), mp unfolds untold stories of love, high spirits and deep meditation that every romantic rave craves for – acid poetry included.

germanys no.1 electro project the exaltics (bunker / creme / solar one) joins trust for a special ep: >muted world< shows the project at its most original, pairing subaquatic electro and electronica with acid touches and epic synths. bristol hotshot kamikaze space programme (decarhythm) supplies a sharp and hard hitting, afx-inspired rework!

like the satisfying first sip of soda water spritz, roland tings debut ep, *milky way*, bubbles, barms, and beads through your body. roland tings is rohan newman, a melbourne producer who, like recent rubies holy balm, forces, and canyons, proves there is just more and more greatness behind the great and powerful oz. melodic acid trips doused with swish-ticky-booms, like a rubber ball in space with endless bump and bounce. sweet off his japanese jaunt, speeding things down with sapphire slows shows, newmans taste is pure effervescence and buoyancy. but he has got a percussive stickiness as well, a vim/vigor that raps and rips through trax touch-ups and echo-plexes. not the nineties but the none-ties – no glimmer glam, or sampladelic vocal vacations, or happy house heartbeats. he ends the creamy *milky way* with a brilliantly wonky theme that springs like a wind-up toy gone loose. roland tings, dings, and zings.

foolish felix dickinsons superb cynic label land a repress of this much sought after uk acid classic! this release is finally getting a very limited re-press. dusk till dawn is an old school acid house slammer reminiscent of tracks like mike dunns *let it be house* and armandos *151*. 808 drums and double 303 acid lines combined with pitched down vocals. played by everyone from larry heard to mark archer. liquid soul drops is a more modern weirdo slow-mo acid jam as championed by andy weatherall.

shoot the lobster is a new house and techno label from nyc. the first release is a split 12 inch and features grayson revoir and max mcferren, both djs and producers from nyc. side one is two tracks by grayson, spackle is driving bass cabinet garage, and get stolen is spacey sweaty acid. on side side b max mcferren delivers rusty smokey hard bassline panorama-ready house on one on all times (walk track).

saveds second release for 2013 comes from label debutant julien chaptal who presents the 2 track *illin ep*.
fist up on the a side is *eat ya foe*, a track which is built on unique percussion that possesses a warm bit crush effect. these foundations support the bouncing bassline which has an acid feel to it that works well against the potent vocals.
further damage is caused on the flip with *illin* where the rolling drums build nicely into the engaging lead line that advances through the track with filters and variations.

collectors edition / cover 4 of 4 all 4 covers together are 1 big illustration of katerholzig berlin.

black tekno emerges from the undercurrent of chicago with its first release, an acid infused, floor jacking four track ep from noleian reusse entitled *second language*. the songs here are aimed at the dancer, ranging from emotional sci fi to straight up party jams. all tracks were recorded live - hands on the keys, knobs and faders of noleian’s analog hardware setup.

solaronemusic present the third chapter of *the exaltics meets ...*-series. after gosub and morphology this time the exaltics meets andreas gehm aka elec pt.1, who has been releasing music on imprints such as bunker, mathematics recordings. both artists range their tracks from dark dramatic to souldriven and manic acid. 4 uncompromising tracks for both scenarios, smashing the dancefloor and/or your mind.

sometimes your creating a declaration of love - automatically. beatamines composed many of those lines for extraordinary, dancing people, for electronic music and the possibility to express himself with tracks like >i said< or >something soul<. his tracks were released on mbf (traumschallplatten), damm records, keno and on his mother-label mangue records. but beatamines does not only work as a solo producer, he also releases tracks with his mate david jach - each number got a place in the charts .he is packing the emotions of a summer love into it, underlined with fat baselines, pregnant claps and magic melodies. we welcome beatamines as new bondage-music member. his first ep on bondage-music comes with the track >tonite< incl. remix from dachshund (highgrade) and the track >wknd< incl. remix from channel x (stil vor talent). early support from mihai popoviciu, pimont, patrick kunkel, tom novy, sis, benno blome, david keno, kiki, anderson noise, sven vaeth, pawas, sasha, acid pauli, robert owens, heartik, aruba, affkt, patrick zigon, someone else, oliver schories

one sided beauty from cinematic with acid etching on the b side. hand stamped sleeve with an insert.

the e.p kicks off with she can dance, a slow burning acid number that has elements of deep, grooving house from the detroit school. in fact, the second cut low control bares the influence of detroit too, with its murky, dubbed-out chords ala luke hess moving into a punchy bassline with minimal but functional drum patterns. proceedings get a bit more bouncy on the smoking hat, a quirky acid romp on the less daft side of ceephax, and the perfect soundtrack to accompany a feature-length documentary about.... a smoking hat. finishing up the e.p is fudge fingas remix of low control, the only man qualified to make an already deep as fuck track even deeper. theres been some on-point criticisms about a lot recent deep stuff getting lost in noodly jazz territory, but we are in no danger of that nonsense with fudge fingas at the controls: accomplished a musician he may be, hes never been one to lose the way, and this mix proves his deft and subtle remix talents. dabj done done it again, and hopefully this is the first in a long line of productions from vernon.

for its tenth release, sharivari presents nakama ep, another special project with 4 tracks from the land of the rising sun. ufos acid jazz classic somewhere gets re-edited by the serbian duo j-house, aka jan nemecek and danilo tomic, while sapporo based musician kuniyuki takahashi brings his usual deep and percussive vision of house music. on the flip, rush hour artist haruki matsuo and japanese techno legend ken ishii deliver 2 straight but warm & deep techno cuts. 300 copies pressed on marbled vinyl.

*magdalena* ist die zweite single aus dem *look around the corner* album von quantic und alice russell mit der combo barbaro. diese zweite single-auskopplung vereint einen unwiderstehlichen soulful stampfenden groove mit lebendigen folkloreeinflüssen und einem singalong gefühl. der titeltrack ist eine fundgrube von remixen und exclusives. behling & simpson bringen ein deep disco house reworking von *magdalena*, hint & anchorsong kommen mehr cutting-edge um die ecke, und simbad mixt den hit *look around the corner* mit gospel vocals und einem acid club flava in zwei versionen, außerdem gibt es *magdalena* noch als extended version und in der acoustic version. dem vinyl liegt eine cd mit 10 verschiedenen versionen und remixen bei.

elson david is the joint venture of londons duct and owen howells, two of shades of grey recordings co-founders. their first ep, a three-tracker of techy, acid-laced house with tongue-in-cheek nods to uk raving past and present is released on 21st january 2013. the collaboration was born of their shared love of acid house and rave culture, and the desire to do something a bit different to their solo work. both bring considerable talents to bear, ducts classical training and detailed craftsmanship, and owens idiosyncratic grooves and dancefloor focus combine in unexpected ways to produce something that sounds like neither and both.